Get Free Ebook Musical Acoustics, 3rd Edition, by Donald E. Hall
Make use of the sophisticated innovation that human establishes now to discover the book Musical Acoustics, 3rd Edition, By Donald E. Hall conveniently. But initially, we will certainly ask you, just how much do you love to read a book Musical Acoustics, 3rd Edition, By Donald E. Hall Does it always up until finish? Wherefore does that book check out? Well, if you truly love reading, attempt to review the Musical Acoustics, 3rd Edition, By Donald E. Hall as one of your reading collection. If you just reviewed the book based upon need at the time and also unfinished, you need to aim to such as reading Musical Acoustics, 3rd Edition, By Donald E. Hall initially.
Musical Acoustics, 3rd Edition, by Donald E. Hall
Get Free Ebook Musical Acoustics, 3rd Edition, by Donald E. Hall
New updated! The Musical Acoustics, 3rd Edition, By Donald E. Hall from the most effective writer and publisher is now available here. This is the book Musical Acoustics, 3rd Edition, By Donald E. Hall that will certainly make your day checking out becomes finished. When you are looking for the printed book Musical Acoustics, 3rd Edition, By Donald E. Hall of this title in guide shop, you might not find it. The troubles can be the restricted editions Musical Acoustics, 3rd Edition, By Donald E. Hall that are given up guide store.
Even the cost of an e-book Musical Acoustics, 3rd Edition, By Donald E. Hall is so budget friendly; numerous people are truly stingy to establish aside their cash to acquire guides. The various other reasons are that they feel bad as well as have no time to head to the e-book establishment to search guide Musical Acoustics, 3rd Edition, By Donald E. Hall to read. Well, this is modern period; a lot of publications can be obtained conveniently. As this Musical Acoustics, 3rd Edition, By Donald E. Hall and also more publications, they can be got in very quick means. You will certainly not should go outside to obtain this book Musical Acoustics, 3rd Edition, By Donald E. Hall
By seeing this page, you have done the right looking factor. This is your begin to choose the publication Musical Acoustics, 3rd Edition, By Donald E. Hall that you want. There are bunches of referred publications to review. When you would like to obtain this Musical Acoustics, 3rd Edition, By Donald E. Hall as your book reading, you can click the link page to download and install Musical Acoustics, 3rd Edition, By Donald E. Hall In few time, you have possessed your referred e-books as your own.
Due to the fact that of this e-book Musical Acoustics, 3rd Edition, By Donald E. Hall is sold by on-line, it will certainly reduce you not to publish it. you could get the soft data of this Musical Acoustics, 3rd Edition, By Donald E. Hall to save in your computer system, gizmo, and much more tools. It relies on your readiness where as well as where you will certainly read Musical Acoustics, 3rd Edition, By Donald E. Hall One that you require to always remember is that reading book Musical Acoustics, 3rd Edition, By Donald E. Hall will never ever finish. You will certainly have eager to review other publication after completing a publication, and it's constantly.
Musical acoustics presents a unique opportunity to see science and art working together. This book is a balanced presentation of all aspects of musical acoustics. It explains how our ears and brains interpret musical events, and connects traditional physical analyses to musical reality. The purpose of the book is two fold: (1) To help students use simple physical concepts as tools for understanding how music works, and (2) To use students' interest in music to motivate the study and appreciation of scientific methods. Any given chapter will challenge students with several points that are not obvious on the first reading. Starred sections are optional and are not a prerequisite to later sections.
- Sales Rank: #404854 in Books
- Brand: Brooks Cole
- Published on: 2001-08-22
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 7.75" w x .75" l, 2.03 pounds
- Binding: Hardcover
- 480 pages
Review
1. THE NATURE OF SOUND. Acoustics and Music. Organizing Our Study of Sound. The Physical Nature of Sound. The Speed of Sound. Pressure and Sound Amplitude. 2. WAVES AND VIBRATIONS. The Time Element in Sound. Waveforms. Functional Relations. Simple Harmonic Oscillation. Work, Energy, and Resonance. 3. SOURCES OF SOUND. Classifying Sound Sources. Percussion Instruments. String Instruments. Wind Instruments. Source Size. Sound from the Natural Environment. 4. SOUND PROPAGATION. Reflection and Refraction. Diffraction. Outdoor Music. The Doppler Effect. Interference and Beats. 5. SOUND INTENSITY AND ITS MEASUREMENT. Amplitude, Energy, and Intensity. Sound Level and the Decibel Scale. The Inverse-Square Law. Environmental Noise. Combined Sound Levels and Interference. 6. THE HUMAN EAR AND ITS RESPONSE. The Mechanism of the Human Ear. Limits of Audibility and Discrimination. Characteristics of Steady Single Tones. Loudness and Intensity. Pitch and Frequency. Pitch and Loudness Together. Timbre and Instrument Recognition. 7. ELEMENTAL INGREDIENTS OF MUSIC. Organizing Musical Events in Time. Melody and Harmony. Scales and Intervals. The Harmonic Series. 8. SOUND SPECTRA AND ELECTRONIC SYNTHESIS. Prototype Steady Tones. Periodic Waves and Fourier Spectra. Modulated Tones. Electronic and Computer Music. 9. PERCUSSION INSTRUMENTS AND NATURAL MODES. Searching for Simplicity. Coupled Pendulums. Natural Modes and Their Frequencies. Tuning Forks and Xylophone Bars. Drums, Cymbals, and Bells. Striking Points and Vibration Recipes. Damped Vibrations. 10. PIANO AND GUITAR STRINGS. Natural Modes of a Thin String. Vibration Recipes for Plucked Strings. Vibration Recipes for the Piano. Piano Scaling and Tuning. 11. THE BOWED STRING. Violin Construction. Bowing and String Vibrations. Resonance. Sound Radiation from String Instruments. 12. BLOWN PIPES AND FLUTES. Air Column Vibrations. Fluid Jets and Edgetones. Organ Flue Pipes. Organ Registration and Design. Fingerholes and Recorders. The Transverse Flute. 13. BLOWN REED INSTRUMENTS. Organ Reed Pipes. The Reed Woodwinds. The Brass Family. Playable Notes and Harmonic Spectra. Radiation. 14. THE HUMAN VOICE. The Vocal Apparatus. Sound Production. Formants. Special Characteristics of the Singing Voice. 15. ROOM ACOUSTICS. General Criteria for Room Acoustics. Reverberation Time. Reverberation Calculation. Reverberant Sound Levels. Sound Reinforcement. Spatial Perception. 16. SOUND REPRODUCTION. Electric and Magnetic Concepts. Transducers. Microphones. Amplifiers. Recording. Loudspeakers. Multiphonic Sound Reproduction. 17. THE EAR REVISITED. Types of Pitch Judgment. Pitch Perception Mechanisms. Modern Pitch Perception Theory. Critical Bands. Combination Tones. Loudness and Masking. Timbre. 18. HARMONIC INTERVALS AND TUNING. Interval Perception. Intervals and the Harmonic Series. Musical Scales. The Impossibility of Perfect Tuning. Tuning and Temperament. 19. STRUCTURE IN MUSIC. Melodies and Modes. Chords and Harmonic Progressions. Consonance and Dissonance. Musical Forms and Styles. 20. EPILOGUE: SCIENCE AND ESTHETICS. APPENDIX A. WRITTEN MUSIC. APPENDIX B. THE METRIC SYSTEM. Units for Physical Measurements. Scientific Notation and Computation. APPENDIX G. GLOSSARY. APPENDIX H. HINTS AND ANSWERS TO SELECTED EXERCISES. Index. The Chromatic Scale; The Chromatic Series Slider.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Great starting point for studying the intersection of science and sound
By calvinnme
This book is an excellent starting place for someone who wants a somewhat quantitative treatment of the science of sound as it relates to music, but does not have the advanced math background necessary to digest something like "The Physics of Musical Instruments". The chapters and sections in this third edition are the same as in the previous edition, however some changes have been made to the content. The book is updated with more current references to the end-of-chapter bibliographies, and there is some new material, especially in areas affected by the personal computer's role in the digital processing of sound.
The author provides an integrated understanding of three major areas: the production of sound by various sources, the propagation of sound from source to listener, and the perception of sound by the human brain.
For easier reading, each chapter starts with an introductory section that sets up the chapter. There are also summaries and lists of symbols, terms, and relations highlighting the most important terms and quantitative expressions in each chapter. There are realistic and interesting exercise sets containing both qualitative and quantitative questions for each chapter, with most chapters containing 20-25 exercises. There are also projects included that provide out-of-class assignments that generally require students to do research. There are approximately three of these in each chapter. Finally, several new photographs have been added to this third edition, particularly of the inner ear structure and of the vocal cords in motion.
Like the previous reviewer, I make a habit of purchasing and reading several textbooks a year, and sometimes I am very disappointed and sometimes I am not. This is one of those purchases that I found most worthwhile. If you are interested in the intersection of math, acoustics, perception, and musical instruments I highly recommend it. A math background up to the level of algebra and geometry should be sufficient to understand the quantitative portions of the book. The table of contents is as follows:
1. THE NATURE OF SOUND.
Acoustics and Music. Organizing Our Study of Sound. The Physical Nature of Sound. The Speed of Sound. Pressure and Sound Amplitude.
2. WAVES AND VIBRATIONS.
The Time Element in Sound. Waveforms. Functional Relations. Simple Harmonic Oscillation. Work, Energy, and Resonance.
3. SOURCES OF SOUND.
Classifying Sound Sources. Percussion Instruments. String Instruments. Wind Instruments. Source Size. Sound from the Natural Environment.
4. SOUND PROPAGATION.
Reflection and Refraction. Diffraction. Outdoor Music. The Doppler Effect. Interference and Beats.
5. SOUND INTENSITY AND ITS MEASUREMENT.
Amplitude, Energy, and Intensity. Sound Level and the Decibel Scale. The Inverse-Square Law. Environmental Noise. Combined Sound Levels and Interference.
6. THE HUMAN EAR AND ITS RESPONSE.
The Mechanism of the Human Ear. Limits of Audibility and Discrimination. Characteristics of Steady Single Tones. Loudness and Intensity. Pitch and Frequency. Pitch and Loudness Together. Timbre and Instrument Recognition.
7. ELEMENTAL INGREDIENTS OF MUSIC.
Organizing Musical Events in Time. Melody and Harmony. Scales and Intervals. The Harmonic Series.
8. SOUND SPECTRA AND ELECTRONIC SYNTHESIS.
Prototype Steady Tones. Periodic Waves and Fourier Spectra. Modulated Tones. Electronic and Computer Music.
9. PERCUSSION INSTRUMENTS AND NATURAL MODES.
Searching for Simplicity. Coupled Pendulums. Natural Modes and Their Frequencies. Tuning Forks and Xylophone Bars. Drums, Cymbals, and Bells. Striking Points and Vibration Recipes. Damped Vibrations.
10. PIANO AND GUITAR STRINGS.
Natural Modes of a Thin String. Vibration Recipes for Plucked Strings. Vibration Recipes for the Piano. Piano Scaling and Tuning.
11. THE BOWED STRING.
Violin Construction. Bowing and String Vibrations. Resonance. Sound Radiation from String Instruments.
12. BLOWN PIPES AND FLUTES.
Air Column Vibrations. Fluid Jets and Edgetones. Organ Flue Pipes. Organ Registration and Design. Fingerholes and Recorders. The Transverse Flute.
13. BLOWN REED INSTRUMENTS.
Organ Reed Pipes. The Reed Woodwinds. The Brass Family. Playable Notes and Harmonic Spectra. Radiation.
14. THE HUMAN VOICE.
The Vocal Apparatus. Sound Production. Formants. Special Characteristics of the Singing Voice.
15. ROOM ACOUSTICS.
General Criteria for Room Acoustics. Reverberation Time. Reverberation Calculation. Reverberant Sound Levels. Sound Reinforcement. Spatial Perception.
16. SOUND REPRODUCTION.
Electric and Magnetic Concepts. Transducers. Microphones. Amplifiers. Recording. Loudspeakers. Multiphonic Sound Reproduction.
17. THE EAR REVISITED.
Types of Pitch Judgment. Pitch Perception Mechanisms. Modern Pitch Perception Theory. Critical Bands. Combination Tones. Loudness and Masking. Timbre.
18. HARMONIC INTERVALS AND TUNING.
Interval Perception. Intervals and the Harmonic Series. Musical Scales. The Impossibility of Perfect Tuning. Tuning and Temperament.
19. STRUCTURE IN MUSIC.
Melodies and Modes. Chords and Harmonic Progressions. Consonance and Dissonance. Musical Forms and Styles.
20. EPILOGUE: SCIENCE AND ESTHETICS.
APPENDIX A. WRITTEN MUSIC.
APPENDIX B. THE METRIC SYSTEM.
Units for Physical Measurements. Scientific Notation and Computation.
APPENDIX G. GLOSSARY.
APPENDIX H. HINTS AND ANSWERS TO SELECTED EXERCISES.
Index.
The Chromatic Scale; The Chromatic Series Slider.
0 of 0 people found the following review helpful.
Delivered on time
By Amazon Customer
It is what is said on the description above
22 of 22 people found the following review helpful.
Fascinating
By Amazon Customer
This book is a thorough overview of physics behind music. In the first part of the book, Hall lays the foundation with an investigation into waves, sound propagation, sound measurement, and the human ear. The middle third of the book takes up families of instruments, and how they work to create musical sounds. The last part of the book investigates room acoustics, sound reproduction, and the perception of intervals, tunings, and musical structure. Each chapter includes references and suggestions for further reading, numerous mathematical exercises for practicing the concepts covered in the chapter, and a list of potential projects for further investigation. The book includes a glossary and answers to selected problems, as well as an index.
I read quite a few textbooks for work and occasionally just for interest's sake, but this one really stands out. After reading the first few chapters, I found myself wishing I could sit in on Hall's lectures. His style is intensely personal, and his explanations are incredibly clear. I'll admit that sometimes my eyes glossed over while slogging through some of the numbers and charts, but it was mainly my fault for not being a more active reader. In order to get the most from this book, you really need to read it with calculator in hand, or better yet, an Excel spreadsheet open, ready to try out the numbers and scenarios that Hall provides us with. Nevertheless, the math is kept quite simple- -no calculus; if you can do algebra, you should be able to get through the book.
I've found the information in the book to be quite useful. Hall's description of how resonance works in drums has helped me make sense of my tabla teacher's pickiness about where my fingers strike the tabla heads. And at last I understand the physics behind why some rooms in my house are acoustically dead, and others are alive. Hall has opened up a new world of ideas for me, and I will be thinking them through for years to come. I would recommend this book to anyone who wants to know how music really works.
Musical Acoustics, 3rd Edition, by Donald E. Hall PDF
Musical Acoustics, 3rd Edition, by Donald E. Hall EPub
Musical Acoustics, 3rd Edition, by Donald E. Hall Doc
Musical Acoustics, 3rd Edition, by Donald E. Hall iBooks
Musical Acoustics, 3rd Edition, by Donald E. Hall rtf
Musical Acoustics, 3rd Edition, by Donald E. Hall Mobipocket
Musical Acoustics, 3rd Edition, by Donald E. Hall Kindle
Tidak ada komentar:
Posting Komentar